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Sunlight uv led exposure unit. UV LED EXPOSURE UNIT, manufactured in the uk. by sunlight stencils. When you want to burn your images at any time of the day or night. 50 watt LED UV with black foam lid The most accurate exposure unit on the planet. Safe, Eco and user friendly. Choice of 3 sizes. 14″X 14″ for A5 & A4 Sunlight Stencils 16″X 20 for A3 SUNLIGHT STENCILS 24″X 24″ for exposing wooden or aluminium screens. All 3 are single phase 220v table top units. that emit a pure uv light at 365 nanos in length, blue fluorescent colour. 14″X14″ Exposure area is 50 watts, perfect for A5 and A4 Sunlight stencil sheets. cheapest screen printing supplies in the uk. STRETCHED SILK SCREEN PRINTING FRAMES WOODEN OR ALUMINUM, WHAT EVER SIZE . Also the Images 14″ x14″ can be burnt on that screen as a result of the lid been removed, Silkscreen frame would have to be covered on The Print Side . With a sheet of black card ,black neoprene or black foam. Therefore stopping any light deflecting between the glass, the film positive and the mesh for a clean , sharp and scrip image burn . Also the big advantage for a uv led exposure unit of this size is that you can expose . Store 6 x A4 size different images on one large screen . Which has an internal dimensions of 24″ x36″ without having to spend 1000s of pounds. The 16″x 20″ Sunlight UV LED EXPOSURE UNIT is 100 watt. perfect for our A3 Sunlight stencil sheets. Excellent for capturing half tones of up to 85 lines/inch. The lid can be removed from this UV LED EXPOSURE UNIT Large made up frames with internal dimensions of 24″x 36″can hold up to 3 x A3 size images. The 24″X24“Sunlight uv led exposure unit is 200 watt. Our unit is made for exposing ready stretched silk screen printing frames measuring 28″x 28″ x 1 3/4″ profile. Furthermore the lid when closed completely covers and cushions the frame to achieve a sharp crisp image. On the 4mm toughened glass.on, Larger frames can be mounted when the lid is removed. Exposure Tips: UV LED EXPOSURE UNIT If your image does not expose or washout properly. First make sure you are in a light safe environment. Ensure your screen is coated with a thin coat of emulsion and allowed to dry so it is smooth to the touch. If your emulsion is tacky you need to either coat it with less emulsion or dry it for a longer period of time. You can use a clean fan or dehumidifier to speed up the drying process. Ensure your film positive is dark and opaque. Ensure your screen has positive contact between the film positive and the screen mesh. If your screen exposes but is slimy, increase exposure time by 1 minute and try again. If you can’t wash out the image then decrease the time by 1 minutes until the image appears

Screen Printing Water based ink ,many Colours. Screen Printing Water based ink give off the perception that they’re tricky to master, but these inks can actually be a joy to use and the results really speak for themselves. Done right, your prints will be softer to the touch, Screen Printing Water based ink more detailed, more environmentally friendly and more durable than with Plastisol inks. Remember these top five tips and you’ll practically be ensuring a perfect print with Screen Printing Water based ink . WATER BASED INK . Screen Printing Water based ink have a lower viscosity . Generally thinner than Plastisol inks. so as a result they soak effectively into your fabric of choice, You will want to choose a finer mesh than you might otherwise. Most screen printers use a mesh size of between 43T and 60T with Screen Printing Water based ink If you choose to use an emulsion, take care to find one that is suited to water based inks . Otherwise you run the risk of the emulsion breaking down. and ruining your print run. With the right preparation, water based inks can produce amazing vivid Colour. If you’re printing with bright or neon Colours on darker fabrics, It’s worth remembering that water-based inks can be less opaque than plastisol inks. You may either wish to apply an Underbase of white such as Opaque White . Or alternatively you can choose an opaque range of water-based inks used for printing onto dark fabrics. which DON”T require an Underbase. You can print our Opaque inks straight onto black t-shirts. And they deliver a brilliant print with just two stroke. FLOOD THE SCREEN IF YOU’RE WALKING AWAY. The water content in water based inks make it relatively quick to dry, Which can lead to clogs in the screen if left out in the open for too long. You can avoid this happening with a quick ink flood of the screen . While you’re setting up or setting up the next Colour. It’s also worth remembering to keep ink tub lids securely fastened . So your precious inks won’t dry up in between printing sessions. REMEMBER TO KEEP THE WATER BASED INK HYDRATED A simple spray bottle with water will be your best friend. when printing with water based ink. This can be used to keep the screen slightly damp before and in between prints. If you do notice that the ink has started to dry on the screen, Simply run a test print ON SCRAP PAPER to remove as much ink as possible, wipe down both sides of the screen with a damp rag and wipe again with a dry rag. Water based ink Fix with heat. The long-lasting finishes of water based inks requires a heat setting treatment, So fire up that drying tunnel or heat press. 180 DEG C If you’re printing at home, you can tumble dry. use a hand iron, dry it in the sun for a few days. Cotton setting When you’re wearing the shirt every day and washing it. Years later, you’ll be glad for this process of curing And for your choice to use Screen Printing Water based ink for screen printing.

Screen Printing Stencil sheet A4 Screen Printing Stencils Sheets A4 sheet red 77t hobby craft Firstly 12 MONTH SHELF LIFE (Images can be burnt onto these sunlight stencil sheets within 12 months of purchase) You will receive plain coated sheets to burn your OWN CUSTOM images. Supplied in A4 size. above all, rank 1st page google stencil sheet red are available in a wide range of meshes. Here is a general outline of what size Stencil Sheet to use for your printing needs. Your basic and most standard mesh size is 43T, which lays a fairly thick layer of ink and is great for block text. A 55T Sunlight Stencil sheet, also allows for a slightly thinner layer of ink and also enables some finer detail in your image due to the finer mesh. A 15T Sunlight Stencil sheet is used for Glitter, shimmer and inks that have a high viscosity. The glitter particles will not usually pass through a mesh count of higher than 15T. Therefore you need a lower mesh count with larger holes.A 77T Photo stencil sheet allows for fine detailed images and thinner inks. These sheets can hold larger half tone dots.Choosing the right Photo stencil sheet for the best print. 15T – Beach towels, Pennant inks, 3D inks, Glitters and Shimmers. Higher viscosity inks.43T – Textile, solvents and water based inks. Opaque inks. Best for courser woven/knitted/airtex substrates and fabrics. 55T – fabrics, paper, wood, plastics, glass. 77T – Fine detailed artwork. Half tones. Paper & Board. Textiles. STENCIL SHEET A4 stencil sheet red Use for a wide range of plastisol, water based and solvent based inks Outstanding resistance Excellent burning imaging properties High definition for holding larger half tones Photo stencil red Ideal for the novice printer as this sheet is more forgiving when exposing Use for plastisol and water based inks High definition for holding half tones 4 minutes exposing time SCREEN PRINTING STENCIL RED REVIEW https://www.etsy.com/uk/listing/674026432/coated-stencil-sheets-coated-mesh-sheets?ga_order=most_relevant&ga_search_type=all&ga_view_type=gallery&ga_search_query=SUNLIGHT+STENCIL&ref=sr_gallery-1-3&organic_search_click=1 https://bidallhours.com/screen-printing-supplies

Pre coated silk screen. Aluminium Pre coated Silkscreen 55t with Stretched mesh count of 55T. Pre coated with Sunlight emulsion,specially formulated to expose in sunlight. Ready for you to expose your design/artwork onto the mesh. The exposure times are exactly the same as the sunlight stencils, blue 10 minutes, green 4 minutes in the sun. PRE COATED SILKSCREEN 55T The sunlight led exposure unit. no coating trough, no emulsion,no chemicals, just sunlight and tap water. Our Sunlight coated screens can be stored up to 12 months un opened from its uv protected bag. Finally all you need is a sheet of glass and black foam. Harnessing sunlight and tap water to creat the perfect silk screening stencil. Our amazing pre-coated screens are quick and easy to make, reusable, and have unbelievably professional results. Screen printing products in our webstore are based on traditional methods of screen printing. but on a much smaller scale. Our custom screen printing kits are compact enough so you can screen print at home . And require NO bulky equipment. The pre-emulsified screens are coated with a light-sensitive emulsion. That only requires sunlight, transparency film, and tap water to develop. Print your artwork on transparency film, sandwich with the PRE COATED SCREEN in our exposure board unit, and expose to direct sunlight for 1 minute. After soaking in tap water for 15 minutes, the emulsion will wash out in the design area and the stencil is ready to be used! We also stock other mesh counts.https://www.bidallhours.com/product/pre-coated-silk-screen/ Finally all you need is a sheet of glass and black foam. Harnessing sunlight and tap water to create the perfect silk screening stencil. Also If you are looking to start printing, then we offer a complete professional printing supplies service. All in our webstore If you are having any issues on decorating the garment then contact our technical help team who will be glad to assist you in any. Our Online Marketing provides world class web stores, optimised for sales and conversions. Advertise your business here

Screen Printing Screen Cleaning Kit content. 100ml of concentrate emulsion remover dilute with water 1-10. 100ml of concentrate Degreaser wetting agent dilute with water 1-10. 100ml of solvent Screen Wash. to remove plastisol ink and opaque Water based ink residue. 150ml of haze paste image ghosting remover, works increase strength when used with screen wash. Screen Printing Reclaiming Kit Screen Printing Reclaiming Kit.content.100 ml of concentrate emulsion remover dilute with water 1-10. Will remove most screen printing stencil emulsions in the marketplace. How to use instructions, dilute with water. wet screen on both sides with water. Apply Emulsion Remover with a damp cloth on both sides . Leave to soak for 3 mins. Then pressure wash off. 100 ml of concentrate Degreaser Screen Printing Reclaiming Kit wetting agent dilute with water 1-10. How to use instructions , dilute with water. wet screen on both sides with water. Apply degreaser with a damp cloth and work into screen on both sides. Rinse off and dry ready for your next image to be applied 100ml of solvent Screen Wash. to remove plastisol ink and opaque Water based ink residue. How to use instructions. Card off all remaining ink off the Silk screen. For Plastisol and solvent inks ,soak a small rag with screen wash and wipe all the ink off, allow screen to dry. Water based ink scrape off, and place back in the pot. Wash screen down with water, under tap or hose. allow to dry then dab screen wash on a dry rag . Wipe off ink residue applying circular motions. leave screen to dry. 150ml of haze paste image ghosting remover, for removing ink stains from the Silk screen Mesh. For stubborn stains increases the strength when used with screen wash. How to use instructions. When the ink is off,and the emulsion is off, but you can still see a ghosting image of your design still on your mesh. While the screen is wet using a nail brush rub hase paste into the ghost image on both sides of your screen printing screen, leave for 10 mins then power wash off. For stubborn GHOSTING, apply Screen wash while the screen is still wet until the ghosting fades away. For health and safety you must wear eye protection and gloves when using this kit. Screen Printing Reclaiming Kit Always keep out of the reach from children.

Screen Printing Supplies London .Cheapest UK. Screen Printing Supplies London. focuses on Our high quality meshed aluminum frames. Silk Screen printing equipment in the UK market at competitive pricing. Our Advantages that will benefit to clients. Full series of screen printing supplies such as fabric meWater based Screen Printing Inksh, squeegee, emulsion, inkjet films, washout booth. Factory located in KENT UK which is the leading company of screen printing kits with more than 40 years’ experience. Not only successful in Screen Printing products but also great in SMT frames with foils. Our Advantages that will benefit to clients: Full series of screen printing supplies uk such as fabric mesh, squeegee, emulsion, inkjet films, washout booth. Our Ink spatulas have natural wood handles, Stainless steel rivets and stainless steel blade. The semi-flexible ink spatulas are easier to use. Ink Spatulas are a key tool for overall profitability by keeping your ink distribution clean, easy, and fast. Screen Printing Supplies London. The pallet is adjustable; It can be adjusted from forward to backward, from left to right. It is over printable which is especially suitable for printing onto T-shirt, pillowcase, bag, non-woven bags and so on. The screen mesh is the polyester used in screen printing for the screen. It comes in a thread count of 15t to 200t. The higher the thread count, the less ink it will let through. Screen mesh comes in either white or yellow. Last, but definitely not least, is the screen printing frame which holds the screen mesh. They’re made from wood or aluminum. Wooden frames don’t last anywhere near as long as aluminum frames which cost a great deal more. Frames are often pre-tensioned SCREEN PRINTING SUPPLIES GB The United kingdoms number one supplier of screen printing aluminum frame. FINALLY OUR CUSTOMERS CAN BUY OUR PRODUCTS IN OUR WEBSTORE. SELL ONLINE FOR FREE. Where do you start to look for the Cheapest Screen print supplies? First of all many people look for a basic list of the Cheapest Screenprint supplies and equipment. To overview the method of screen printing. Consequently telling them the minimal tools and equipment they need as well as the basic steps involved. We will break the process down and list the tools needed to start you off in screen printing. This will give you the most basic information to help you get started. THE FIRST STEP IS TO CREATE SOME ARTWORK. SILK SCREEN PRINT SUPPLIES Most artwork is created using illustrator, Photoshop, coral draw free software like gimp and cad draw. vectors are best for illustrations (solid linework). multi color designs are separated and placed on separate layers from the original image. Then each colour is printed in black by itself. This colour separation is also known as film positive separation. a printer, Inkjet or Laser, a computer with the software will be required with this step. CREATING THE FILM POSITIVE FROM THE CHEAPEST SCREEN PRINT SUPPLIES ON THE PLANET After your artwork is created or separated you will need to convert it all to black and print it on a clear film, this is your film positive. Consequently, if the artwork design has more than one color, you will need to print a film positive for each color. It is this black opaque film positive you are going to use to make your screen. this is the step you are going to require a computer, a printer and inkjet or Laser film. OUR CUSTOMERS CAN CHOOSE WHICH SCREEN PRINT SUPPLIES FROM OUR WEBSTORE FOR SCREEN MAKING. You will need a screen to pass the ink through onto your shirt. They are commonly known as Silkscreens, there are 3 types that you can use. Aluminium silkscreens, wooden silkscreens or pre-coated stencils. When you have decided which one to use, you will need to degrease it before you coat it with emulsion. THE PRE-COATED SILKSCREEN AND PRE-COATED STENCIL The emulsion is a light-sensitive liquid. Which coats on the mesh and dried, with a fan heater or oven. When it dries, the film positive under UV light exposes to make a stencil. This step will require screen making chemicals, a water hose and an exposure unit. Furthermore, another way to expose to UV light is using the sun. Sunlight pre coated Aluminum screen or stencil sheet. The basic list of Screen Printing Equipment to print fabric LED UV Exposure unit. to make stencils using light-sensitive emulsion on the silkscreen. 2. Washout booth with a water sprayer. To wash out and clear the image on the screen. 3. Drying oven or fan heater. To dry the silkscreens after preparing them for emulsion or coating them with emulsion. 4. A darkroom, or subdued light room. for coating your screens and storing the coated silk screens for future use. 5. Screen printing press, jiffy clamps or silkscreen carousel. To print your t. shirts, Hoodies, fabric with ease and consistency. 6. Flash cure unit or heat gun. To flash dry between colors or to fully cure single colors 7. A Tunnel conveyor dryer. To fully cure your print, water-based ink at 185 deg c, plastisol ink at 155 deg c. 8. Washout booth and pressure washer. To reclaim so you can reuse your screens. SCREEN PRINTING ESSENTIALS. 9. Coating trough. To coat your silkscreens with emulsion. 10. Squeegee. wooden or aluminum, to push the ink through the silkscreen. 11. Screens stretched with mesh. to make your stencils on and print your shirts. 12. Spatulas. To take the ink from the bucket and place it on the screen. for removal of ink and back in the bucket. 13. Ruler and T square. To mark the mounting pallets to align artwork film and fabric positioning with a felt tip pen. 14. Heat reader. Infrared handheld temperature laser thermometer to check the curing temperature of the printed ink. 15. Spot cleaning gun. To remove unwanted marks of ink on the t.shirts and hoodies. 16. Scrub brushes. For applying ghostbuster Customers can buy these by far the Cheapest Screen Print supplies in our web shop. The perfect purchase for any budding screen printer or an ideal birthday or Christmas present for artistic loved ones. Our Silk Screen Printing supplies. Excellent consumables. Needed to get printing your own designs at home. You will also find consumable packages at reduced prices to add to your current kit. Find out more about The Screen Print Specialists here at Sunlight Stencils. Our team has over 40 years of hands-on experience in Screen Printing Equipment and Supplies. Our knowledge gained both in the UK and internationally allows us to train and inform you every step of the way. We are dedicated specialists. Offering the Cheapest Screen Print Supplies on the planet. Focused on helping and serving customers, from beginners to the advanced. helping them reach their full potential. We provide printers with the correct equipment, knowledge and technical support. Screen Printing made easy, turn their nightmares into dreams and help make them real. After all, your creativity is our passion. Furthermore, Sunlight Stencils has the perfect solution for all budding artist and designers. Cheapest Screen print supplies. The selection of professional quality screen printing supplies offered at discount prices Creations brought to life with our knowledge and experience. As a result our customers stay ahead of all the other silk screen printers in the marketplace. SCREEN PRINTING INKS FOR PRINTING ONTO FABRIC ​When it comes to screen printing inks, there is a large variety available. I’ve always worked with water based inks and have much preferred them over plastisol inks. But before I go into the pros and cons of both and elaborate on my personal preference to water based inks, TYPES OF SCREEN PRINTING INKS I will first tell you about the different types of screen printing inks that I’m familiar with and what I’ve learnt about each one: ​Water based inks​ Water based inks have a soft hand which means they are soft to the touch. People sometimes think that because they are water based that they will not wash well, but once cured properly they wash incredibly well. No harsh chemicals are needed to clean water based inks off your screen , squeegee , mixing spoon or your hands. You can use just plain water to clean these inks. Any ink that is left on the side of the screen or on any other surface will air dry and not cause any problems later. ​Have you ever opened your water based ink and smelt a sharp amonia smell ? Want to know why.. Water based inks air dry and are printed using coarse mesh counts when printing onto fabric, 32T – 55T as they will dry blocking the finer mesh when being printed. You get two kinds of water based inks, pigment mixed into a clear base or pigment mixed into an opaque base. ​Clear based Ink ​A clear based ink will be translucent. It will sink into the fabric so that you cannot feel it on the garment. It works best on white fabric. If you print on white the colors will be bright and vibrant, on other light colored fabric, the inks will be affected by the background color of the fabric, imagine the results of printing onto different colored paper with an inkjet printer, the result will be similar. Black will go onto most colors though as it is so dark, yellow will be affected more by the color of the fabric that it goes onto. These inks are really great for printing onto kids clothing and babywear as they are so soft to the touch and don’t have any harmful ingredients. You can print clear based inks wet on wet, which means you don’t have to dry each colour before you print the next one. Opaque based ink ​You get opaque bases for water based inks and these are used for printing onto dark fabrics. The base that the pigment is mixed into is a paste and will sit on top of the fabric. You first print a layer of your ink, dry it with a flash drier, heat gun or hairdryer to speed up the drying process – once this first layer is dry you do another print over the first dried layer and this will be more opaque . Imagine painting a black wall with white paint, the initial layer of paint looks pretty white but as it dries you see the black wall showing through, once this layer dries, you add the second layer of white making the background disappear. When printing more than one color with opaque water based inks, you have to dry the first print completely before starting the next colour because the ink from the first print will stick to the back of the second screen. A heat gun or flash drier is good for drying ink layers quickly. You also need a way of getting your screen registered or lined up so that when you put it down for the second print, it is perfectly in line with the first print. You can make up some kind of a jig or use hinge clamps. If you print a single layer of opaque ink you might be happy with the less opaque finish which will look like it is a vintage print. Some opaque inks are better than others and will give a more opaque first print and some will have stretch. If you ever open a tub of opaque water based ink and find mold, you can simply scoop away the parts with mold and still use the ink. The mould eats the binding agent so don’t mix it into the ink. Plastisol Inks Plastisol ink is composed of PVC particles suspended in a plasticizing emulsion. they have a more plastic feel and sit on top of the fabric that they are printed. Plastisol only dry at 160 degrees Celsius – they do not air dry – this means that they can be printed through very fine mesh counts which means you can print very fine detail with them, the ink won’t dry in the screens causing the screen mesh to block causing you to lose detail. You can print a design, leave the ink on the screen and return the next day and continue printing. Plastisol are film forming so you can print an under base of white and then print your colors on top of that which can give you very bright neon colors on dark fabrics Mesh counts used for plastisol inks can be 43T right up to 120T. Screen printing inks cure. Inks cure once they reach 160 degrees, so you can use a heat gun to make them dry and then cure them with a heat press. There are great silicone and teflon sheets which you can use to make your prints get different effects. Most print shops use a tunnel drier to cure plastisol inks. If you use an iron directly onto the print, they will get smudged and messed up this is why people put “Do not Iron on Print” stickers on their shirts. use a heat press to cure the inks you have to use a silicon paper or teflon to cover the print. Pros and Cons of Water based inks vs Plastisol Inks ​Plastisol ink Pros Fine detail – easy to use – film forming – don’t air dry ​Cons not very eco friendly – have to be cleaned up with hazardous chemicals- don’t air dry so any ink splat can potentially cause problems later – they don’t have a soft hand (plastic feel as opposed to softer print finish) ​Water-based inks Pros Eco friendly – easy to clean up after – great for ethical sustainable type projects – soft hand – non hazardous – good for kids/baby clothing – easy to cure ​Cons Air dry so can block screens – not film forming Metallic & Pearl Inks ​The water based silvers and golds that I have worked with were Pearlescent based. These are best to print with a 43T mesh. 55T will block quickly and not give the right effect. The only real metallic ink that I worked with was a plastisol and this also only really gave the right effect when printed through a 43T. I’m sure that you get more metallic water based inks but the Pearl bases have a good finish. Discharge Inks (decolorant / dye remover) I’ve worked very little with discharge inks. They work by knocking the dye used on the fabric out and leaving the fabric it’s original undyed color. You can mix water based inks into your discharge ink to achieve colors. Once you print the discharge ink you dry it with a heat gun, flash drier or tunnel drier. The heat activates the discharge and you can see the image appear as though it is being bleached into the fabric (Jacquard is a non bleach product). Discharge inks can give off a bad smell and vapors so you should wear a mask. Jacquard have quite an eco friendly Decolorant.

Screen Printing Stencil A5 Sheet Stencil Marking Screen Printing Stencil A5 sheet ,Photo stencil, red 77t, size A5 Sheet . Firstly 12 MONTH SHELF LIFE (Images can be burnt onto these sunlight stencil sheets within 12 months of purchase) RED Photo stencil You will receive plain coated sheets to burn your OWN CUSTOM images. Supplied in A3 size. above all, rank 1st page google stencil sheet red are available in a wide range of meshes. Here is a general outline of what size Stencil Sheet to use for your printing needs. Your basic and most standard mesh size is 43T, which lays a fairly thick layer of ink and is great for block text. A 55T Sunlight Stencil sheet, also allows for a slightly thinner layer of ink and also enables some finer detail in your image due to the finer mesh. A 15T Sunlight Stencil sheet is used for Glitter, shimmer and inks that have a high viscosity. The glitter particles will not usually pass through a mesh count of higher than 15T. Therefore you need a lower mesh count with larger holes.A 77T Photo stencil sheet allows for fine detailed images and thinner inks. These sheets can hold larger half tone dots.Choosing the right Photo stencil sheet for the best print. 15T – Beach towels, Pennant inks, 3D inks, Glitters and Shimmers. Higher viscosity inks.43T – Textile, solvents and water based inks. Opaque inks. Best for courser woven/knitted/airtex substrates and fabrics. 55T – fabrics, paper, wood, plastics, glass. 77T – Fine detailed artwork. Half tones. Paper & Board. Textiles. RED SCREEN PRINTING STENCILS SHEETS. stencil sheet red Use for a wide range of plastisol, water based and solvent based inks Outstanding resistance Excellent burning imaging properties High definition for holding larger half tones Photo stencil red Ideal for the novice printer as this sheet is more forgiving when exposing Use for plastisol and water based inks High definition for holding half tones 4 minutes exposing time SCREEN PRINTING STENCIL RED REVIEW https://www.etsy.com/uk/listing/674026432/coated-stencil-sheets-coated-mesh-sheets?ga_order=most_relevant&ga_search_type=all&ga_view_type=gallery&ga_search_query=SUNLIGHT+STENCIL&ref=sr_gallery-1-3&organic_search_click=1 https://bidallhours.com/screen-printing-supplies

UV VACUUM EXPOSURE UNIT LED 25X36 TABLE TOP Led UV Vacuum Exposure Unit 25×36 Table Top New model LED tabletop exposure unit 25×36”Exposure area , Aluminum UV Exposure Unit fitted with vacuum pump and neoprene blanket Designed to work as easily and effectively as a vacuum exposure unit for less than a third of the cost of more expensive units. UV Vacuum Exposure Unit led 25×36 Table Top This vacuum unit creates similar positive contact pressure that a vacuum unit creates. Even pressure is needed during the exposure process Ensuring even positive contact between the mesh, film, and the exposure glass. Without the proper contact, images will not expose properly because the light is allowed to defract around the edges. And spreading around the positive film leading to poor screens. Proper positive contact is essential to achieve high detail, small halftones, and crisp edges. The aluminum compression lid featured and the adjustable toggle clamps on this unit . Assures the correct amount of positive pressure needed in order to achieve maximum exposure results. This exposure unit covers all your textile printing needs with the ability to exposure up to a 65 line halftone dot which in layman’s terms is extremely fine detail. How it works. The exposure unit works by exerting pressure from the black neoprene blanket to the inner dimensions of your screen. Once the vacuum pump is on , it exerts enough pressure to achieve correct positive contact. It’s easy to use and fits almost anyone’s budget. No compromise on quality with cost. SPECS Exposes all types of photo emulsion IEC power cord port with an easy-to-access on/off switch Fits up to a 25″ x 36″ outer frame size or smaller 200 watt LED Ultraviolet Light Source – Enclosed by Black Foam Cushioned Lid Safe, Eco and User Friendly Highly Efficient Easy to Use Tabletop and Space Saving Emits pure UV light at 365nano length Single Phase 220volt Vacuum Model Blue Fluorescent Color 1 Year back to base warranty Fits a 25″ x 36″ outer frame size screens or smaller 200 watt LED Lumitron Ultraviolet Light Source that offer low energy consumption. Our PRO level screen exposure units are ideal for customers that use larger screens and produce them in smaller quantities. Offering very compact tabletop designs, there are units at this level that is still powerful enough to produce fast exposure times. As your business grows you may want to look at our professional models for more versatility and time saving features. Fitted with 6mm Toughened Glass Safe, Eco and User Friendly. Highly Efficient ,Easy to Use Tabletop and Space Saving Fitted with 2mm thick Aluminum Casing with polished stainless steel reflector Emits pure UV light at 365 nano length Single Phase 240 volt Vacuum Model Blue Fluorescent Color Led UV Exposure Unit Operation of the unit is simple. First Set the time in seconds, on your phone Ensure perfect contact between artwork and material to be exposed. Close the lid and press the start button. on the vacuum pump close the outlet valve Wait the blanket is fully sucked down. Press the start button for uv lights to come on. As a result Exposure cycle begins. During exposure, the timer counts down and once the cycle is complete, Exposure complete , switch of uv lights, switch off pump, open outlet air valve and open lid. Finally remove screen. 3 Year back to base warranty Delivery cost £90.00 to mainland UK, https://bidallhours.com/screen-printing-supplies/

Screen Printing Stencil sheet A3 Screen Printing Stencil sheet A3. red 77t hobby craft Photo stencil, red 77t, size A5 Sheet . Firstly 12 MONTH SHELF LIFE (Images can be burnt onto these sunlight stencil sheets within 12 months of purchase) RED Photo stencil You will receive plain coated sheets to burn your OWN CUSTOM images. Supplied in A3 size. above all, rank 1st page google stencil sheet red are available in a wide range of meshes. Here is a general outline of what size Stencil Sheet to use for your printing needs. Your basic and most standard mesh size is 43T, which lays a fairly thick layer of ink and is great for block text. A 55T Sunlight Stencil sheet, also allows for a slightly thinner layer of ink and also enables some finer detail in your image due to the finer mesh. A 15T Sunlight Stencil sheet is used for Glitter, shimmer and inks that have a high viscosity. The glitter particles will not usually pass through a mesh count of higher than 15T. Therefore you need a lower mesh count with larger holes.A 77T Photo stencil sheet allows for fine detailed images and thinner inks. These sheets can hold larger half tone dots.Choosing the right Photo stencil sheet for the best print. 15T – Beach towels, Pennant inks, 3D inks, Glitters and Shimmers. Higher viscosity inks.43T – Textile, solvents and water based inks. Opaque inks. Best for courser woven/knitted/airtex substrates and fabrics. 55T – fabrics, paper, wood, plastics, glass. 77T – Fine detailed artwork. Half tones. Paper & Board. Textiles. RED SCREEN PRINTING STENCILS SHEETS. stencil sheet red Use for a wide range of plastisol, water based and solvent based inks Outstanding resistance Excellent burning imaging properties High definition for holding larger half tones Photo stencil red Ideal for the novice printer as this sheet is more forgiving when exposing Use for plastisol and water based inks High definition for holding half tones 4 minutes exposing time SCREEN PRINTING STENCIL RED REVIEW https://www.etsy.com/uk/listing/674026432/coated-stencil-sheets-coated-mesh-sheets?ga_order=most_relevant&ga_search_type=all&ga_view_type=gallery&ga_search_query=SUNLIGHT+STENCIL&ref=sr_gallery-1-3&organic_search_click=1 https://bidallhours.com/screen-printing-supplies

Precoated Silk Screen 90t Choose size Pre coated Silk Screen 90t Choose size Aluminium Precoated Silk screen with Stretched mesh count of 90T. Pre coated with Sunlight emulsion,specially formulated to expose in sunlight. Ready for you to expose your design/artwork onto the mesh. The exposure times are exactly the same as the sunlight stencils, Pre coated Silk Screen 90t Choose size The sunlight led exposure unit. no coating trough, no emulsion,no chemicals, just sunlight and tap water. Our Sunlight coated screens can be stored up to 12 months un opened from its uv protected bag. THE SUNLIGHT LED EXPOSURE UNIT. no coating trough, no emulsion,no chemicals, just sunlight and tap water. Our Sunlight coated screens can be stored up to 12 months un opened from its uv protected bag. Finally all you need is a sheet of glass and black foam. Harnessing sunlight and tap water to create the perfect silk screening stencil. Our amazing pre-coated screens are quick and easy to make, reusable, and have unbelievably professional results. Screen printing products in our webstore are based on traditional methods of screen printing. but on a much smaller scale. Our custom screen printing kits are compact enough so you can screen print at home . And require NO bulky equipment. Precoated Silk Screen 90t The pre-emulsified screens are coated with a light-sensitive emulsion. That only requires sunlight, transparency film, and tap water to develop. Print your artwork on transparency film, sandwich with the PRE COATED SCREEN in our exposure board unit, and expose to direct sunlight for 1 minute. After soaking in tap water for 15 minutes, the emulsion will wash out in the design area and the stencil is ready to be used! We also stock other mesh counts.https://www.bidallhours.com/product/pre-coated-silk-screen/ Finally all you need is a sheet of glass and black foam. Harnessing sunlight and tap water to create the perfect silk screening stencil. We also stock other mesh counts.https://www.bidallhours.com/product/pre-coated-silk-screen/ Perfect screen for paper and board printing of fine detail. https://bidallhours.com/screen-printing-supplies/

Screen Printing Kit to custom make mesh stencils day or night. Step by step guide on creating and framing your stencil. 1 14"x 14" UV LED Exposure  glass Unit 1 UV e27 light bulb 2  A4 x 55t1  Stencil Sheets,  2 x A4  43T Stencil Sheets,  2 x A4  77 T Stencil Sheets 2  A4 x 90 t, 2 A4 x120t 10 Sheets A4 Film, 1 x Sunlight Pen , 1 x SPONGE 1 x 6" Squeegee, 6 x mixing sticks, 1 x Rigid frame, 10x Flexible Frames 1 x  Super Cover water-based ink and 1 standard water-based ink 10 Mixing Pots  1x roll of 2way tape. Screen Printing Kit Stencil sheet DIY Custom Craft Red Sunlight Stencils, Test pack This pack of Pre coated Mesh Screens Red research and Test sunlight stencils 10pk Contains stencil sheets in 4 different mesh counts. Since there are many variables involved in silk screen printing we cant tell you exactly what mesh sizes are used for what applications. These stencil sheets CAN BE CUT to any size ,in subdued light, which you can trial and test your designs. on different mesh counts. This achieve the best quality print. However we can give you a general outline of what size Stencil Sheet to use for certain types of printing. Pre coated Mesh Screens Red 43t in our Screen Printing Kit 2x43t sheets, Your basic and most standard mesh size is 43T, Ideal for textiles, which lays a fairly thick layer of ink and is great for block text. Perfect for opaque, water based, acrylic, plastisol and 3d inks. Higher viscosity inks., solvents .Best for courser woven/knitted/ airtex substrates and fabrics Excellent burning imaging properties High definition for holding larger half tones (43T will hold 30 lines per inch, Pre coated Mesh Red 55t in our Screen Printing Kit 2x55t sheets allows for a slightly thinner layer of ink and also enables some finer detail in your image due to the finer mesh. Perfect for light colored textiles, broader line work on wood, board ,plastic, clay and metal. Use for a wide range of plastisol, water based and solvent based inks High definition for holding larger half tones 55T will hold 36 lines per inch, Pre coated Mesh Red 77t  in our Screen Printing Kit 2x77t sheet allows for fine detailed images and thinner inks. a greater coverage is achieved. Perfect for Glass, Ceramic, clay, Nylon bag, Vinyl, Poster, Paper, Plastic. Untreated wood. Use for a wide range of plastisol, water based and solvent based inks High definition for holding larger half tones 77T will hold 52 lines per inch, Pre coated Mesh Red 90t 2x90t sheets, Fine Detail, halftones, water base, CMYK process, simulated process, low ink usage Very fine detail ,printed on to light colored substrates. Glass ,Mirrors, Clay, Ceramics, fine art Posters, Vinyl metal. paper wood. Use for a wide range of plastisol, water based and solvent based inks High definition for holding larger half tones 90T will hold 60 lines per inch, Pre coated Mesh Red 120t 2x120t sheets, will deliver detailed prints with a softer hand feel. however, because they allow for lighter ink deposits, prints created with these fine screens won’t be as bright or vivid. Use for a wide range of plastisol, water based and solvent based inks Outstanding resistance for UV Inks printing onto CDs Excellent Half tone Photo Images. High definition for holding larger half tones 120T will hold 65 lines per inch, Photo Stencil properties Excellent burning imaging properties Pre coated stencils – Made by Sunlight Stencils. No need for emulsion, screens, coating troughs and other equipment! Simply expose your design onto this pre-coated stencil and then fix it to your frame using staples or tape. Great for wrapping around cylindrical products or glass! UV reactive stencil screen sheets exposure times Blue sunlight stencil sheets, Expose it to sunlight for 4 minutes . If in the shade  expose it for 6 minutes. With a uv exposure unit 3 minutes. Red Sunlight Stencil Sheets Exposing time in sunlight 30 SECONDS Exposure in overcast 2 minutes Exposing in UV exposure unit.30 Secs. All red sunlight stencil sheets are compatible with the Screen Sensation MYOS 280 Working in a low-light area to prevent damage to the UV-reactive mesh, lay a piece of  mesh on the opaque black plate, place the design on top of the mesh, then place the clear plate ( replace this with 2mm clear picture frame glass) on top of the design, securely sandwiching the elements together. Screen Sensation MYOS 280 exposure time. Set the machine’s speed: setting 1 is the slowest , best for red sunlight stencils. After selecting the speed, feed your sandwiched design into the machine, then the machine will automatically feed the plates through. Once the plates have been fed through. Screen Sensation MYOS 280 Feed it through again. Take the clear glass, plate and design off the mesh. Now submerge the mesh into an opaque container of clean water for 10 seconds, Start working in normal light conditions. Lightly wipe the mesh with a sponge or  brush where the design has been exposed .  The brushing will remove the UV-reactive material, leaving your design behind. Sponge both sides of the mesh to fully expose your design. You can also run a shower or running tap over the mesh to clear the image. Leave your mesh to dry, making sure it is flat and not touching other screens. Once the mesh is dry, it’s ready. Photo Stencils Red Ideal for the advance printer as these sheets are more forgiving when exposing Use for plastisol and water based inks Also solvent and UV inks Choosing the correct ink. We highly recommend that you consult your ink supplier for advise on mesh counts . We also recommend that the correct ink retarder is used with all air dry, solvent and water based inks, When using 55t, 77t , 90t, and 120t mesh count stencil sheets. Step by step guide links: Creating  and framing, your Sunlight Stencil https://sunlightstencils.com/step-by-step-guide-1-creating-your-stencil/ Screen Printing Kit red REVIEW

SUNLIGHT EXPOSURE UNIT with black foam lid. Exposing images on frames measuring 24″x 20″ x 1 3/4″ profile. 2 minutes exposure time on most emulsions and Capilory film. 3 Year back to base warranty Delivery cost for this item is £35.00 to mainland UK, you will be invoiced this before delivery. Exposure unit uv led Exposure unit uv led for burning screen printing images on to silk screens. SUNLIGHT LUMITRON unit.Manufactured by sunlight stencils is made of an aluminum casing. Has a stainless steel polished reflector For this reason exposing ready stretched silk screen printing frames measuring 24″x 20″ x 1 3/4″ profile. The lid when closed completely covers and cushions the frame to achieve a sharp crisp image. With this unit the lid can be removed and larger frames can be mounted on the 4mm toughened glass. Burning your images at any time of the day or night furthermore, Customers can buy this product in our webshop. Description. Exposure unit SUNLIGHT EXPOSURE UNIT with black foam lid. Furthermore, Customers can buy this lid uv exposure unit in our webshop. bidallhours sell online for free SUNLIGHT LUMITRON unit :Safe, Eco and user friendly. Emitts a pure uv light at 365 nanos in length, blue fluorescent colour. Furthermore, Customers can buy this product in our webshop. The larger table top Lumitron unit manufactured by sunlight stencils , which can expose a screen size 33″x 42″ is 600 watts. 3 year back to base warranty WHAT ARE YOU WAITING FOR? bidallhours.com. payment and sales management tools are right for any artist selling online and/or in-person. Its free online store feature is a great option for artists who want to sell up to 250 . finished items, mass-produced pieces, or digital download works on their website. There is no is a simpler solution than other online stores and lists items all on one page. That’s why we say it’s best for artists selling around 250 items or less. More than 50 per page can make your single page quite long. You can categorize and sort listings any way you wish, but they all appear in rows on a single web page. Item listings do open in a pop-up page when clicked, so you can show plenty of item details. But you can create categories on different pages using bidallhours.com. online store. That said, what bidallhours.com. does, It does incredibly well. With your free online store, you can easily set up your site, add products, choose a website address, and start marketing, selling your art online within an afternoon. It’s mobile-friendly, too. bidallhours.com. is an especially good choice if you want to sell art both online and in-person in your gallery, at art shows or markets, and through other in-person means. All payment options; Online, mobile, and in-store point-of-sale. Neatly tie your entire business together. Leaving you more time to create.